Flutes

Sales Introduction

This website deliberately isn’t set up for interactive payments. Using a valid email address, I am able to send invoices using Square or PayPal so payments can be made securely, quickly and easily without relying on the security of my website to protect your credit or debit card information.

Florida’s sales tax will be collected on in-state sales. $25 will be added to defray packaging and shipping charges for flutes mailed within the continental United States.

A custom, hand-crafted fleece bag is included with each flute. Click the Flute number to view a photo with MP3 sound samples.

Presented in order of: Key, Bore Size then Flute Number

Smaller (higher key, higher pitch) to Larger (lower key, deeper sound)

Return Policy

If displeased with a new flute or leather flute bag for any reason, contact me right away. With my approval, within 14 days of the sale, items in still new condition may be returned at the buyer’s expense for a nearly full refund. That is, I will refund the original purchase price less credit card transaction processing fees and/or shipping costs. As of 04/2023, charge card fees are no longer being refunded by my service provider.

Custom designed flutes and leather bags are considered final sale items and as such, are not subject to this return policy.


Introductory Flutes

My Introductory flutes are uniformly 3/4″ bore, Western Red Cedar flutes. Usually tuned as an A4, these flutes are distinguished by the lack of a tenon mouthpiece, embellishments or complex block designs. They ARE well tuned and as such, have my maker’s mark wood burned above a unique flute number and key on the underside of the mouth end. These are designed to be quality instruments which happen to be affordable.

451-A4-WesternRedCedar

### – Western Red Cedar, A4; $129

This is an example of an Introductory flute with a hand-crafted fleece sleeve. The block typically is topped with a thin layer of wood for decorative purposes which is on a layer of Western Cedar. The bottom layer is always unfinished Eastern Red Cedar. These flutes are usually less than 19″ long. The finish is polymerized Tung Oil followed by shellac I personally mix.

Dry sound sample; Introductory Flute, A4
Reverb sound sample; Introductory Flute, A4

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FluteDescriptionPriceKeyBore
470Honduran Rosewood – Belize (Honduran Rosewood / spalted Sycamore mouthpiece)$289D5 – high5/8″
317Western Red Cedar – closed end Woodpecker (Magnolia / Pink Ivory)$209C5 – high5/8″
467Zircote (Zircote / spalted Magnolia mouthpiece)$349C5 – high5/8″
469Butternut$199C5 – high5/8″
475Sapele (Pecan / Alaska Yellow Cedar / Black Walnut – California mouthpiece)$299C5 – high5/8″
476spalted Sycamore (Honduran Rosewood / wild Black Walnut – California mouthpiece)$219C5 – high5/8″
477reclaimed Redwood (spalted Sycamore / French Black Poplar mouthpiece)$219C5 – high5/8″
384stubby Cherry – Keystone Heights, FL – aged (Dogwood mouthpiece)$249B47/8″
471Western Red Cedar – Introductory Flute$129A43/4″
472Western Red Cedar – Introductory Flute$129A43/4″
473Western Red Cedar – Introductory Flute$129A43/4″
478Masur Birch (Myrtle / English Walnut mouthpiece)$369A43/4″
398figured Marindiba (Olive / Wisconsin spalted Maple mouthpiece)$249Ab4 (G#)3/4″
399Myrtle (Pecan mouthpiece)$249Ab4 (G#)3/4″
444English Yew (Myrtle mouthpiece)$169Ab4 (G#)3/4″
280Western Cedar (Chocolate) – Eastern Red Cedar mouthpiece, Moss agate block$249Ab4 (G#)7/8″
381Ceylon Satinwood (Pistachio / Mulberry mouthpiece)$389G47/8″
404spalted Magnolia (spalted Sycamore mouthpiece)$279G47/8″
425French Black Poplar (Imbuia mouthpiece)$319G47/8″
448Black Limba (Thuya burl / fiddleback Imbuia mouthpiece)$299G47/8″
345fiddleback Imbuia (Honduran Mahogany / Beech / spalted Sycamore mouthpiece)$509F#4 (Gb)7/8″
359Brazilian Rosewood (Ambonya burl / Gainesville Dogwood mouthpiece)$1,889F#4 (Gb)7/8″
423fiddleback Imbuia (figured Myrtle / Pink Ivory mouthpiece)$819F#4 (Gb)7/8″
427fiddleback Imbuia (French Black Poplar / Gabon Ebony mouthpiece)$709F#4 (Gb)7/8″
184Ceylon Satinwood (Pink Ivory / curly Mango mouthpiece)$279F47/8″
270Wisconsin Beech (Black Walnut / Yellow Birch / Black Walnut mouthpiece-end cap)$389F47/8″
429Camphor (Marblewood / Cherry – Keystone Heights, FL, mouthpiece)$449E41 1/8″
463Cocobolo (Honduran Mahogany / figured European Ash mouthpiece)$699E41 1/8″
466pommelle Sapele (Alaskan Yellow Cedar / Sapele / English Walnut mouthpiece)$689E41 1/8″
243Swiss Pear – quartersawn (spalted Alder / Padauk mouthpiece)$179Eb4 (D#)1″
240spalted Alder (Padauk / Pecan mouthpiece)$179D41 1/8″
430fiddleback Myrtle (Beech – Wisconsin / Koa – thin, mouthpiece)$789D41 1/8″
460Honduran Mahogany (spalted Sycamore / Camatillo Rosewood mouthpiece)$679D41 1/8″
433Mahogany (Cherry – Keystone Heights, FL / Black Limba mouthpiece)$539D4 (432Hz)1 1/8″
340California Cottonwood with burl (Raintree mouthpiece); Equal Temperament tuning$429D4 (432Hz)1 1/4″
428Western Red Cedar (Wood burned simulated mouthpiece)$299Db4 (C#) (432 Hz)1 3/16″
283Camphor (curly Mango mouthpiece)$469C#4 (Db)1 1/8″
341Raintree – aka: Monkeypod (California Cottonwood mouthpiece)$369C#4 (Db)1 1/4″
406Western Red Cedar (Alaskan Yellow Cedar / Sapele mouthpiece)$329C41 1/4″
408Alaskan Yellow Cedar (Claro Walnut / Camphor mouthpiece)$439C41 1/4″
434Brazilian Pepperwood burl (Beech – Wisc. / Marblewood mouthpiece)$659C41 1/4″
259Western Red Cedar (figured Myrtle mouthpiece)$179Bb4 (A#) – low1 3/8″
422spalted Butternut (Claro Walnut / Eastern Red Cedar mouthpiece)$789G3 – low1 3/4″
415Redwood – reclaimed (Camphor side-blown mouthpiece and end cap)$789Gb4 (F#) – low1 3/4″

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470-D5-Honduran-Rosewood

470 – Honduran Rosewood – Belize, D5; $289

Flute #470 is Honduran Rosewood from Belize. The mouthpiece is Honduran Rosewood / spalted Sycamore. The block is a low-profile Honduran Rosewood / spalted Sycamore / Eastern Red Cedar. About 14 1/4″ long, this 5/8″ bore flute is tuned as a D5 (high). In this instance, the beauty and contrast between the heartwood and pale sapwood provides all the decoration I felt was needed. Subtle beauty in sound and appearance.

Dry sound sample, Flute 470
Reverb sound sample, Flute 470

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317-C5-Western Red Cedar Woodpecker

317 – Western Red Cedar, C5; $209

Flute #317 is a closed end Western Red Cedar flute presented as a stylized Pileated Woodpecker. The block features a spalted Magnolia feather on Pink Ivory with Sycamore / Western Cedar / Eastern Red Cedar. About 22 1/2″” long, this 5/8″ bore flute is tuned as a C5 (high).

Dry sound sample, Flute 317
Reverb sound sample, Flute 317

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467-C5-Zircote
467-C5-Zircote-block
Camatillo (Mexican Kingwood) bear with Sycamore inlays on the block
467-C5-Zircote-blue-topaz
Blue Topaz with fine silver “dots” and rings of Arizona Opal

467 – Zircote; C5; $349

This is a high C flute (#467) made of Zircote. A truly unique-looking and dense wood, Ziricote has few imitators; perhaps only the occasional piece of figured Brazilian Rosewood exhibits the same spider-webbing or landscape grain figure. The mouthpiece is Zircote / spalted Magnolia. The block has a Camatillo (Mexican Kingwood) bear with Sycamore inlays placed on spalted Magnolia / Eastern Red Cedar. About 15 3/8″ long, this 5/8″ bore flute is tuned as a C5. The bore has two rings of Arizona Opal (Common) surrounding five fine silver “dots” and a Blue Topaz faceted gemstone.

Dry sound sample, Flute 467
Reverb sound sample, Flute 467

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475-C5-Sapele-Left
475-C5-Sapele-Right-close-up
Inlay branches on the block. Azurite with 654 Super Russet Pearl EX stems. Pearl Cactus green (A726 Arteza) and Pearl Strawberry Red (A732 Arteza) metallic acrylic painted blossoms.
Downward hanging stems below the nest (Malachite w 656 Brilliant Gold Pearl EX; Azurite with 654 Super Russet Pearl EX ) with blossoms
Downward hanging stems (Malachite w 656 Brilliant Gold Pearl EX; Azurite with 654 Super Russet Pearl EX) and blossoms of Pearl Cactus Green [A726 Arteza] and Pearl Strawberry Red [A732 Arteza] metallic acrylic paint.

475 – Sapele; C5; $299

This C5 flute (#475) is made of beautiful Sapele. Sapele is a wood from tropical Africa which I think sounds as great as it looks. The mouthpiece is Pecan / Alaska Yellow Cedar / Black Walnut (California). The block is Cymplify Pecan with inlay branches of Malachite mixed with Pearl EX and metallic acrylic blossoms on Sapele (thin) / Alaskan Yellow Cedar / Eastern Red Cedar. About 16 3/8″ long, this is a 5/8″ bore flute. The bore is also decorated with downward hanging stems (Malachite mixed with 656 Brilliant Gold Pearl EX and Azurite mixed with 654 Super Russet Pearl EX) and painted blossoms of Pearl Cactus Green [A726 Arteza] and Pearl Strawberry Red [A732 Arteza] metallic acrylic. The blossoms provide a subtle texture for the surface of the flute and block.

Dry sound sample, Flute 475
Reverb sound sample, Flute 475

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384-B4-Cherry-aged

384 – aged Cherry; B4; $249

Flute #384 is Cherry (Keystone Heights area, FL). The mouthpiece is Dogwood from Gainesville, FL. The block has a Moss Agate polished stone positioned vertically in Black Walnut on a base of Mahogany / Beech / Eastern Red Cedar. About 12 3/8″ long, this 7/8″ bore flute is tuned as a B4. The flute wood was aged using methods devised by furniture makers long ago.

Dry sound sample, Flute 384
Reverb sound sample, Flute 384

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478-A4-MasurBirch-Left
478-A4-MasurBirch-Right-block-w-jasper
Blue-green jasper polished stone
478-A4-MasurBirch-bore-end
Lone Mountain Turquoise nuggets in a Malachite matrix

478 – Masur Birch; A4; $369

According to the Wood Database (https://www.wood-database.com/), “Masur Birch is not a particular species of birch, but is rather a grain figure that is most commonly seen in Downy Birch and Silver Birch. It is also sometimes known as Karelian Birch—with Karelia being a region between Finland and Russia.” Flute #478 is a 3/4″-bore Masur Birch flute tuned as an A4. It has a mouthpiece of Myrtle / English Walnut. The block has a blue-green polished jasper stone positioned vertically in exhibition-grade figured Myrtle with Black Walnut on a base of English Walnut / Masur Birch (thin) / Eastern Red Cedar. It is about 19 3/16″ long. The finish is polymerized Tung Oil and Super Blond shellac.

The decorative inlay ring at the bore end is filled with pale blue to slightly green Lone Mountain Turquoise nuggets set in a Malachite matrix.

Dry sound sample, Flute 478
Reverb sound sample, Flute 478

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381-G4-Ceylon-Satinwood

381 – Ceylon Satinwood, G4; $389

Ceylon Satinwood with a Pistachio / Mulberry mouthpiece. The block has circular inlay of Sleeping Beauty Turquoise bed with Wampum shell and Lone Mountain Turquoise nuggets in Pistachio on Mulberry / Eastern Red Cedar. Tuned as an G4, this flute has a 7/8″ bore and is about 20 9/16″ long. Wampum shell (with Sleeping Beauty) inlaid below the nest was collected on North Carolina’s Outer Banks

Dry sound sample; Flute 381
Reverb sound sample; Flute 381

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425-G4-French-Black-Poplar

425 – French Black Poplar, G4; $319

This is a French Black Poplar flute with a fiddleback Imbuia mouthpiece. The block has a French Black Poplar bear figure (Teal dye accent; One Euro coin embedded vertically) mounted on Imbuia / Eastern Red Cedar. Tuned as an G4, this flute has a 7/8″ bore and is about 20 1/4″” long. Malachite inlay borders for two bands with wood burned accents and Teal dye. 1″ band below finger holes, 1/4″ band above the nest area.

Dry sound sample; Flute 425
Reverb sound sample; Flute 425

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345-F#4-figured-Imbuia
Tribute to recovery efforts following Hurricane Idalia (2023)
345-F#4-Imbuia-block
Block: Honduran Mahogany tree stump figure (carved, wood burned; Sleeping Beauty Turquoise circle of life; faceted Citrine gemstone. Expressing my confidence that better things will come.
345-F#4-fiddleback-Imbuia-bore
A broken tree (Eastern Red Cedar – felled by Hurricane Irma) with Kingman Turquoise accents stands in relief at bore end

345 – fiddleback Imbuia, F#4 (Gb); $509

Fiddleback Imbuia flute with a Honduran Mahogany / Beech / spalted Sycamore mouthpiece. The block has a Honduran Mahogany tree stump figure (carved, wood burned; Sleeping Beauty Turquoise circle of life; faceted Citrine gemstone) sitting on spalted Sycamore / Eastern Red Cedar. Tuned as an F#4 (Gb), this flute has a 7/8″ bore and is about 20 1/4″” long. Decorations include Kingman Turquoise inlay representations of trees (intact upright, bent and broken) with an inlay band filled with Kingman chips. A broken tree (Eastern Red Cedar from Windsor, FL) with Kingman Turquoise accents stands in relief at bore end with wood burned accents. This flute was dedicated to recovery efforts for Hurricane Idalia (2023). The Eastern Red Cedar tree was knocked down in Windsor, FL by Hurricane Irma (2017).

Dry sound sample; Flute 345
Reverb sound sample; Flute 345
Dry song by N. Cochran; Flute 345
Reverb song by N. Cochran; Flute 345

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359-F#4-Brazilian-Rosewood
359-F#4-Brazilian-Rosewood-Block

359 – Brazilian Rosewood; F#4 (Gb); $1,889

Brazilian Rosewood with an Ambonya burl / Gainesville Dogwood mouthpiece, Flute #359 is tuned as an F#4. This flute has a 7/8″ bore and is about 20 1/16″ long. The block has a Rosewood / Amboyna burl figure (Kingman Turquoise inlay heart lines) on Dogwood / Brazilian Rosewood / Eastern Red Cedar. Three narrow bands of Kingman Turquoise (one below the nest; two below the finger holes) serve as simple but elegant accents.

Historically, this wood has perhaps been the species most frequently associated with the term “rosewood,” and with its strength, hardness, stability, beauty, and acoustic properties, it’s easy to understand why Dalbergia nigra has been used for everything from flooring to xylophone keys.

Due to high demand and limited supply of Brazilian rosewood, and its continued exploitation, it has been in the most restrictive category of endangered species. Not only is the lumber restricted from being imported or exported from country to country, but even finished products made of Brazilian rosewood may not cross international boundaries.

Dry sound sample; Flute 359
Reverb sound sample; Flute 359
Dry song by N. Cochran; Flute 359
Reverb song by N. Cochran; Flute 359

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423-F#4-Imbuia-Left-travel-block
Includes a carved Gabon Ebony feather display block and the low-profile travel block shown on the flute in this image.
423-F#-fiddleback-Imbuia-augmented-red-abalone-ring
Faceted Amethyst with fine silver lines above red Abalone band
423-F#4-fiddleback-Imbuia-raven-block
Stylized raven head, beak and eye – fine silver inlay; Gabon carved feather

423 – fiddleback Imbuia, F#4 (Gb); $819

Flute 423 is a fiddleback Imbuia flute with a figured Myrtle / Pink Ivory mouthpiece. Key: F#4 (Gb), bore 7/8″. Decorative elements at the upper end of the flute feature a stylized raven’s beak, eye and head using fine silver for the inlay. Four fine silver rays surround a faceted Amethyst gemstone toward the end. A red abalone inlay band below is augmented using metallic acrylic paint. Display block: carved Gabon Ebony feather with a Myrtle riser on Myrtle / Pink Ivory / Eastern Red Cedar. Low-profile travel block: fiddleback Imbuia / French Black Poplar / Eastern Red Cedar. Pink Ivory feather stem (in low relief), fine silver accent ribs and a wood burned feather background.

This flute was awarded third place in the 2026 Musical Echoes Native American Flute Festival.

Dry sound sample; Flute 423
Reverb sound sample; Flute 423
Dry song by N. Cochran; Flute 423
Reverb song by N. Cochran; Flute 423

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427-F#4-Imbuia-Right-travel-and-display-blocks

427 – fiddleback Imbuia, F#4 (Gb); $709

This is flute 427. Fiddleback figured Imbuia with a French Black Poplar / Gabon Ebony mouthpiece. The display block (upper right) has a carved Gabon Ebony feather with an Ebony riser on French Black Poplar / Ebony / Eastern Red Cedar. Tuned as an F#4, this flute has a 7/8″ bore and is about 22″ long. Decorative elements include an inlay ring – Travertine, Pipestone with Amazonite accent stones in a field of Kingman Turquoise. Sterling Silver inlay dots representing a star field, extend from from the bore end up to the nest area. Hair pipe and silver beads with red crow beads are on deer leather laces.

The custom traveling block shown on the flute is included. It is fiddleback Imbuia / exhibition figured Myrtle / Eastern Red Cedar featuring more stars (fine silver dots) with a fine silver crescent planet edge and a Gabon Ebony inlay moon.

Dry sound sample; Flute 427
Reverb sound sample; Flute 427
Dry song by N. Cochran; Flute 427
Reverb song by N. Cochran; Flute 427

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270-F4-Beech

270 – Wisconsin Beech; F4; $389

Flute #270 is Wisconsin Beech. There is a Black Walnut / Yellow Birch / Black Walnut mouthpiece and end cap. The forward leaning block has a Turquoise cabochon on Beech / spalted Maple / Eastern Red Cedar. Tuned as an F4, this flute has a 7/8″ bore and is about 22 3/16″ long. The Dragonfly inlay below the nest has an Azurite body and a Lone Mountain Turquoise in common opal head. The wings are Black Pipestone (Steatite aka soapstone).

Dry sound sample; Flute 270
Reverb sound sample; Flute 270

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429-E4-Camphor

429 – Camphor; E4; $449

This Camphor flute is #429. The mouthpiece is Marblewood / Cherry (Keystone Heights, FL). The block has a Plume Agate (rectangular) in Marblewood / Cherry on Cherry / Camphor / Eastern Red Cedar Marblewood / Eastern Red Cedar (Teal aniline dyed ends). Tuned as an E4, this flute has a 1 1/8″ bore and is about 22 3/16″ long. The bore end of the flute is aniline dyed cobalt / violet.
Dry sound sample; Flute 429
Reverb sound sample; Flute 429

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463-E4-Cocobolo-Left
463-E4-Cocobolo-block
463-E4-Cocobolo-block
463-E4-Cocobolo-inlay-band
463-E4-Cocobolo-inlay-band

463 – Cocobolo; E4; $699

Flute (#463) is Cocobolo with a mouthpiece of Honduran Mahogany and figured European Ash. The block has Cocobolo figure with two brass rods passing through a center hole on figured European Ash (dyed Mahogany and black) / Eastern Red Cedar. It is tuned as an E4. The bore is 1 1/8″ and the flute is is about 22 3/8″ long. The ~ 1/2″ wide inlay band at the bore end has a Lone Mountain Turquoise nugget and four brass rods embedded in a matrix of brass and Pennsylvania Jet. The finish is polymerized Tung Oil, maroon shellac and high gloss lacquer.

Dry sound sample; Flute 463
Reverb sound sample; Flute 463

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466-E4-pommelle-Sapele-Right
466-E4-pommelle-Sapele-block

466 – pommelle Sapele; E4; $689

Photos don’t adequately show the beauty of the striking pommelle figure of this Sapele flute. Commonly pronounced as sah-PELL-ey or sah-PEEL-ey. The block features a polished Moss Agate cabochon embedded in pommelle Sapele / Dogwood (thin) / Sapele / English Walnut / Eastern Red Cedar. Tuned as an E4, this flute has a 1 1/8″ bore and is about 23 1/16″ long. The finish includes many coats of polymerized Tung Oil, maroon shellac and high gloss lacquer.

Dry sound sample; Flute 466
Reverb sound sample; Flute 466

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430-D4-Myrtle
430-D4-Myrtle-block

430 – fiddleback Myrtle; D4; $789

This flute (#430) is fiddleback Myrtle with a mouthpiece of Beech (Wisconsin) / Koa (thin). The block features a Sunset Jasper polished stone embedded in a Myrtle-clad Yellow Birch triangular figure on Koa / Eastern Red Cedar. Tuned as a D4, this flute has a 1 1/8″ bore and is about 22 1/2″ long. The inlay below the nest has Red Sonora Sunrise Jasper with a Lone Mountain turquoise nugget on a Kingman Turquoise inlay matrix in a sun blossom pattern filled with Kingman Turquoise.

Dry sound sample; Flute 430
Reverb sound sample; Flute 430

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460-D4-Honduran-Mahogany
460-D4-Honduran-Mahogany block
460-D4-Honduran-Mahogany block

460 – Honduran Mahogany; D4; $679

Flute 460 is Honduran Mahogany with a spalted Sycamore / Camatillo Rosewood mouthpiece. The block has a Camphor bear (dyed Mahogany with wood burned heart lines) on spalted Sycamore / Camatillo Rosewood / Sycamore (thin) / Eastern Red Cedar. Tuned as a D4, this flute has a 1 1/8″ bore and is about 25″ long. The bottom finger hole is only about 17.8″ (452 mm) below the business end of the mouthpiece. The largest finger hole has an approximate diameter of 5/16″ (7.97 mm; 0.3138″). These dimensions suggest this flute can be played by people with moderate physical characteristics (arm reach, finger size).

Dry sound sample; Flute 460
Reverb sound sample; Flute 460

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433-D4-432Hz-Mahogany
433-2025-D4-432Hz-Mahogany-Block
433-D4-432Hz-Mahogany-Block
433-D4-432Hz-Mahogany-inlay-horizontal
Sea fronds – textured with inlay, above an inlay ring

433 – Mahogany; D4 (432 Hz; Equal Temperament tuning); $539

This is a 432 Hz flute with Equal Temperament tuning. Made of Mahogany, flute 340 has a Cherry / Black Limba mouthpiece. The block is a Cherry figure with lace holes on Mahogany (thin) / Black Limba / Eastern Red Cedar. Tuned as an D4, this flute has a 1 1/8″ bore and is 25 7/16″ long. Decorative elements represent sea fronds – Malachite outline inlay, upper carved texture. Positioned above an inlay ring – Coquina shell, Mother-of-Pearl with Malachite matrix. There is a also a Malachite inlay frond displayed on top of the block with Coquina shell and Mother-of-Pearl. Malachite circles are inlaid on both sides of the block.

Dry sound sample; Flute 433
Reverb sound sample; Flute 433

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340-D4-432Hz-Black-Cottonwood=burl

340 – California Cottonwood with burl; D4 (432 Hz; Equal Temperament tuning); $429

This is a 432 Hz flute with Equal Temperament tuning. Made of California Cottonwood with burl, flute 340 has a Raintree mouthpiece. The block is a Cloud with rain figure (Honduran Mahogany; colored using Cyan aniline dye) mounted on Raintree (Monkeypod) / Eastern Red Cedar. Tuned as an D4, this flute has a 1 1/4″ bore and is only 23 1/8″ long. The distance from the mouthpiece to the bottom finger hole is just 403 mm (15.9″) and the span between finger holes is about 6 inches. As a result, this relatively deep sounding flute can be played by someone who doesn’t have especially long arms or large hands.

Dry sound sample; Flute 340
Reverb sound sample; Flute 340

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283-C#4-Camphor
283-C#4-Camphor-block
Moss Agate block with stone inlay petroglyphs above and below the finger holes
283-C#4-Camphor-bore

283 – Camphor; C#4; $469

Flute 283 is Camphor with a curly Mango mouthpiece. The block has a vertically mounted moss agate cabochon in Beech on Black Walnut / Yellow Birch / Eastern Red Cedar. Tuned as an C#4, this flute has a 1 1/8″ bore and is about 26 3/8″ long.Petroglyph figures observed at Petroglyph National Monument, NM. Twin birds in Pipestone and Black Pipestone (steatite) at bore end. The figure below the nest has a Lone Mountain Turquoise nugget, Sleeping Beauty Turquoise and Malachite.

Dry sound sample; Flute 283
Reverb sound sample; Flute 283
Dry song by N. Cochran; Flute 283
Reverb song by N. Cochran; Flute 283

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341-C#4-Raintree

341 – Raintree – aka: Monkeypod; C#4 (Db); $369

Flute 341 is Raintree. Also known as Monkeypod. The mouthpiece is Cottonwood with burl. The block is a Bear (Cottonwood – Pipestone heart lines, Sleeping Beauty Turquoise burl infill) on Raintree / Eastern Red Cedar. Tuned as an C#4, this flute has a 1 1/4″ bore and is 24 3/4″ long. The distance from the mouthpiece to the bottom finger hole is just 422 mm (16.6″) and the span between finger holes is about 6 1/2 inches. As a result, this is another deep sounding flute which can be played by someone who doesn’t have especially long arms or large hands.

Dry sound sample; Flute 341
Reverb sound sample; Flute 341

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406-C4-WesternCedar

406 – Western Red Cedar; C4; $329

Western Red Cedar with a Alaskan Yellow Cedar / Sapele mouthpiece. Flute 406 has a block of Sapele (thin) / Western Cedar / Eastern Red Cedar. Tuned as an C4, this flute has a 1 1/4″ bore and is 26 1/8″ long. The distance from the mouthpiece to the bottom finger hole is 452 mm (17.8″) and the span between finger holes is almost 6 3/4 inches. Finger holes are about 1 1/4″ apart with diameters ranging from 0.35″ to 0.27.” Western Red Cedar makes for a good large flute because the wood resonates pleasantly without being too heavy.

Dry sound sample; Flute 406
Reverb sound sample; Flute 406

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408-C4-Alaskan-Yellow-Cedar

408 – Alaskan Yellow Cedar; C4; $439

Alaskan Yellow Cedar with a Claro Walnut / Camphor mouthpiece. The block features Claro Walnut inlay dots with Kingman Turquoise centers in Camphor / Black Walnut / Eastern Red Cedar. Tuned as a low C4, flute 408 has a 1 1/4″ bore and is 26″ long. The distance from the mouthpiece to the bottom finger hole is just 408 mm (16″) and the span between finger holes is less than 5 1/2 inches. This is another deep sounding flute which can be played by someone who doesn’t have especially long arms or large hands.

Dry sound sample; Flute 408
Reverb sound sample; Flute 408

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434-C4-Brazilian-Pepperwood-burl

434 – Brazilian Pepperwood burl; C4; $659

This C4 tuned flute is Brazilian Pepperwood burl with a Beech / Marblewood mouthpiece. The block has a Pepperwood burl sweeping tail mounted on a Marblewood platform on Beech / Marblewood / Eastern Red Cedar. Flute 434 has a 1 1/4″ bore and is 27 1/2″ long. The distance from the mouthpiece to the bottom finger hole is 486 mm (19″) and the span between finger holes is about 6 1/2 inches. Yellow aniline dye accents the bore end of this surprisingly light weight, big bore flute.

Dry sound sample; Flute 434
Reverb sound sample; Flute 434

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422-G3-Butternut

422 – spalted Butternut; G3; $789

Flute 422 is a G3 (low) flute made of spalted Butternut. It has a Claro Walnut / Eastern Red Cedar mouthpiece. The block has a Butternut Whale on Black Walnut / Butternut / Eastern Red Cedar. It has a 1 3/4″ bore and is 33 1/8″ long. The distance from the mouthpiece to the bottom finger hole is 553 mm (21 3/4″) and the span between finger holes is almost 7 1/2 inches.

Dry sound sample; Flute 422
Reverb sound sample; Flute 422

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415-Gb3-Redwood

415 – reclaimed Redwood; Gb3 (F#); $789

This is is a Gb3 (low) flute made of reclaimed Redwood. It has a Camphor side-blown mouthpiece for right-handed players. The block has a large Sycamore “hook with eyelet” figure on Black Walnut / Eastern Red Cedar. It has a 1 3/4″ bore and is 34″ long. The distance from the mouthpiece to the bottom finger hole is 497 mm (about 19 1/2″) and the span between finger holes is over 8″. The finger holes are staggered for a right-handed playing style.

Dry sound sample; Flute 415
Reverb sound sample; Flute 415

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